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Max Forrester Eastman (January 4, 1883 – March 25, 1969) was an American writer on literature, philosophy, and society, a poet, and a prominent political activist. Moving to New York City for graduate school, Eastman became involved with radical circles in Greenwich Village. He supported and became a leading patron of the Harlem Renaissance and an activist for a number of liberal and radical causes. For several years, he edited . With his sister , he co-founded in 1917 The Liberator, a radical magazine of politics and the arts.

While residing in the from the fall of 1922 to the summer of 1924, Eastman was influenced by the power struggle between and and the events leading to Stalin's eventual seizure of power. As a result of the and the Soviet Union's , he became highly critical first of and then of and socialism in general. While remaining an , he became an advocate of economics and . In 1955, he published Reflections on the Failure of Socialism. He published more frequently in and other conservative journals in later life. He publicly opposed United States involvement in the in the 1960s.


Early life and education
Eastman was born in 1883 in Canandaigua, Ontario County, New York, the fourth of four children. His older brother died the following year at age seven. His father, Samuel Elijah Eastman, was a minister in the Congregational Church, and his mother, Annis Bertha Ford (1852-1910), joined him in 1889, one of the first women in the United States to be ordained in a church. They served together as pastors at the church of Thomas K. Beecher near Elmira, New York. This area was part of the "burned-over district", which earlier in the 19th century had generated much religious excitement, resulting in the founding of the Seventh-day Adventist Church and the Latter Day Saint movement. In addition, religion inspired such social causes as abolitionism and support for the Underground Railroad. Through his parents, Max became acquainted in his youth with their friend, the noted author Samuel Clemens, better known as .

Eastman graduated with a bachelor's degree from in 1905. His good friend and roommate while at Williams was Charles Whittlesey, later known as the Lost Battalion commanding officer and a World War I hero. From 1907 to 1911, Eastman completed the work toward a PhD in philosophy at Columbia University under the noted philosopher . He also was a member of both the and Phi Beta Kappa societies.

Settling in Greenwich Village with his older sister , he became involved in political causes, including helping to found the Men's League for Women's Suffrage in 1910. While at Columbia, he was an assistant in the philosophy department as well as a lecturer in the department. After completing the requirements for his doctoral degree, he refused to accept it and simply withdrew in 1911. He spent summers and weekends with Crystal in Croton-on-Hudson, where he bought a house in 1916.


Leading radical
Eastman became a key figure in the left-leaning Greenwich Village community and lived in its influence for many years. He combined this with his academic experience to explore varying interests, including literature, psychology, and social reform. In 1913, he became editor of the US' leading socialist periodical, , a magazine that combined social philosophy and the arts. Its contributors during his tenure included Sherwood Anderson, , , , Mabel Dodge Luhan, , John Reed, , , and . That same year, Eastman published Enjoyment of Poetry, an examination of literary metaphor from a psychological point of view. During this period, he also became a noted advocate of and .John Patrick Diggins, Up From Communism, Columbia University Press, later, Harper & Row, 1975, pp. 17–73.

In his first editorial for The Masses, Eastman wrote:

This magazine is owned and published cooperatively by its editors. It has no dividends to pay, and nobody is trying to make money out of it. A revolutionary and not a reform magazine: a magazine with a sense of humour and no respect for the respectable: frank, arrogant, impertinent, searching for true causes: a magazine directed against rigidity and wherever it is found: printing what is too naked or true for a money-making press: a magazine whose final policy is to do as it pleases and conciliate nobody, not even its readers. The Masses, February 1913, 2.

The numerous denunciations of US participation in World War I published in The Masses, many written by Eastman, provoked controversy and reaction from authorities. Eastman was twice indicted and stood trial under provisions of the Sedition Act, but he was acquitted each time. In a July 1917 speech, he complained that the government's aggressive prosecutions of dissent meant that "you can't even collect your thoughts without getting arrested for unlawful assemblage".Ronald Steel, and the American Century, Boston: Little, Brown, 1980, p. 124 In 1918, The Masses was forced to close due to criminal charges based on the Espionage Act of 1917.

Eastman raised the money to send the radical John Reed to Russia in 1917. His magazine published Reed's articles from Russia, later collected as Ten Days That Shook the World, his notable account of the Bolshevik Revolution.John Reed, Ten Days That Shook the World, Boni and Liveright, 1919; Max Eastman, Reflections on the Failure of Socialism, Devin-Adair, 1955, p. 10.

Eastman had even delivered speeches on behalf of the People's Council of America for Democracy and the Terms of Peace.Arnesen, Eric (Winter, 2018). "The Passions of Max Eastman." Dissent. Retrieved April 1, 2019.

In 1919, Eastman and his sister (who the next year was one of the founders of American Civil Liberties Union) created a similar publication titled The Liberator. They published such writers as E. E. Cummings, John Dos Passos, , , and . In 1922, the magazine was acquired by the Workers Party of America after continuing financial troubles. In 1924, The Liberator was merged with two other publications to create The Workers Monthly. Eastman ended his association with the magazine.

In 1922, Eastman embarked on a fact-finding tour of the Soviet Union to learn about the Soviet implementation of . He stayed for a year and nine months, observing the power struggles between and . After attending the Party Congress of May 1924, he left Russia in June of that year. He remained in Europe for the next three years.

Upon returning to the United States in 1927, Eastman published several works that were highly critical of the system, beginning with "Since Lenin Died", which was written in 1925.Max Eastman, Reflections on the Failure of Socialism, "Biographical Introduction," pp. 9–17. In that essay, he described Lenin's Testament, a copy of which Eastman had smuggled out of Russia. In it, proposed changes to the structure of the Soviet government, criticized the leading members of the Soviet leadership and suggested Stalin be removed from his position as General Secretary of the Soviet Communist Party. The Soviet leadership denounced Eastman's account and used to force Trotsky, then still a member of the Politburo, to write an article denying Eastman's version of the events. In other essays, Eastman described conditions for artists and political activists in Russia. Such essays made Eastman unpopular with American leftists of the time. In later years, his writings on the subject were cited by many on both the left and the right as sober and realistic portrayals of the Soviet system under Stalin.

Eastman's experiences in the Soviet Union and his studies afterward led him to change his view of Marxism as practiced in Soviet Russia under Stalin. However, his commitment to political ideas continued unabated. While in the Soviet Union, Eastman began a friendship with Trotsky, which endured through the latter's exile to Mexico. In 1940, Trotsky was assassinated there by an agent of Stalin. Having mastered the Russian language in little more than a year, Eastman translated several of Trotsky's works into English, including his monumental three-volume History of the Russian Revolution. He also translated and published works by the poet Alexander Pushkin, including .Diggins, "Exorcising Hegel: Max Eastman," in Up From Communism, pp. 17–20.

During the 1930s, Eastman continued writing critiques of contemporary literature. He published several works in which he criticized and other modernist writers who, he claimed, fostered "the Cult of Unintelligibility". These were controversial at a time when the modernists were highly admired. When Eastman had asked Joyce why his book was written in a very difficult style, Joyce famously replied: "To keep the critics busy for three hundred years".Eastman, Max, "The Cult of Unintelligibility," Harper's Magazine, clviii, April 1929, pp. 632–639.

Eastman published The Literary Mind (1931) and Enjoyment of Laughter (1936) in which he also criticized some elements of . In the 1930s, he debated the meaning of Marxism with the philosopher (like Eastman, he had studied under at Columbia University) in a series of public exchanges.Diggins, Up From Communism, pp. 51–58. Eastman was a traveling lecturer throughout the 1930s and 1940s, when he spoke on various literary and social topics in cities across the country.


Contributions to the women's rights movement
Eastman was a notable member of the women's rights movement in the early 20th century. He served as President of the Men's Equal Suffrage League in New York and was a founding member of the Men's League for Women's Suffrage in New York in 1910. In 1913, he spoke at Bryn Mawr College on the subject of women's suffrage in a speech titled "Woman Suffrage and Why I Believe in It".


Changing political beliefs
Following the , Eastman started to abandon his socialist beliefs, becoming increasingly critical of the ideas of , , and Georg Wilhelm Friedrich Hegel, whom he had once admired.

In 1941, he was hired as a roving editor for Reader's Digest magazine, a position he held for the remainder of his life. About this time, he also became a friend and admirer of the noted economists , Ludwig von Mises, and Wilhelm Röpke. He allied with the American writers , John Chamberlain, and John Dos Passos.Diggins, Up From Communism, p. 485, fn. 43, 44, 46. Nobel laureate economist Hayek referred to Eastman's life and to his repudiation of socialism in his widely read The Road to Serfdom. Eastman arranged for the serialization of Hayek's work in Reader's Digest. Later, Eastman wrote articles critical of socialism for , an early libertarian publication edited by his friends John Chamberlain and .Charles H. Hamilton, " The Freeman: the Early Years," The Freeman, Dec. 1984, vol. 34, issue 1.

Initially, Eastman had supported the House Un-American Activities Committee (HUAC) and 's public attacks on the influence of communism. In the early 1950s, Eastman's anti-communist articles in the Reader's Digest, The Freeman, and the played an important role in what became known as . Max Eastman . Spartacus Educational. However, he soon came to believe that the anti-communist movement was "taken over by reactionary forces who confused the quest of with communist treason".Paul Le Blanc, Marx, Lenin and the Revolutionary Experience: Studies of Communism and Radicalism in an Age of Globalization, 2006, Routledge, p. 91. In 1955, his repudiation of the left reached a high-water mark with the publication of Reflections on the Failure of Socialism. By this time, he had come to believe that the Bolshevik Revolution "rather than producing freedom, produced the most perfect in all history".Max Eastman, Reflections on the Failure of Socialism, Devin-Adair, 1955, p. 113 Also in 1955, he became one of the original contributing editors of the conservative magazine.

In the 1950s, Eastman joined the classical liberal Mont Pelerin Society, founded by Hayek and Mises. He was a participating member of the American Committee for Cultural Freedom at the invitation of .Diggins, Up From Communism, pp. 201–233; , Out of Step, Carroll & Graf, 1987, chapter 27. Although he became aligned with conservative political thinkers, Eastman remained a lifelong .

In the 1960s, he broke with his friend William F. Buckley Jr. and resigned from the National Review's Board of Associates on the grounds that the magazine was too explicitly .William L. O'Neill, The Last Romantic: a Life of Max Eastman, Transaction Publishers, 1991; "Morality and American Society by William F. Buckley," interview, Acton Institute [5] (retrieved 4-13-09).

Shortly after this, he began to publicly oppose American involvement in the . Despite his advocacy of free market economics, Eastman had a range of views that were unconventional for a political conservative. Favoring the self-description of "radical conservative", he rejected the label "" then being used by political writer Rose Wilder Lane. They engaged in an acrimonious correspondence. Eastman associated the term with the ideas of the writer Albert Jay Nock.Max Eastman, Reflections on the Failure of Socialism, Devin-Adair, 1955, p. 79; his correspondence with Lane is in Eastman manuscripts. at Indiana University's Lilly Library; philosopher also rejected the label, similarly calling herself a "radical for capitalism," but, in contrast, she stressed that she was " not a conservative."

Daniel Oppenheimer writes in the left-leaning The New Republic that Eastman's last years were a period of decline in influence:

His writing was more predictable and less generous in spirit. He led no magazines, and wasn't particularly central to those to which he contributed. He wielded some influence in conservative and anti-communist circles, through organizations like the American Committee for Cultural Freedom and magazines like National Review, but he was essential to none of them. His memoirs, Enjoyment of Living in 1948 and Love and Revolution in 1964, were interesting as documents of his age, and for their unusual frankness about sex, but they weren't great books.


Assessment of literary works
A prolific writer, Eastman published more than twenty books on subjects as diverse as the scientific method, humor, and as well as memoirs and recollections of his noted friendships. His biographical portraits have been called "brilliant" and his psychological study of the young "pioneering" by the historian John Patrick Diggins.Diggins, Up From Communism, p. 19.

Eastman composed five volumes of poetry and a novel. In addition, he translated into English some of the work of Alexander Pushkin. For the , he edited and abridged Marx's .

Eastman also wrote two volumes of memoirs as well as two volumes of recollections of his friendships and personal encounters with many of the leading figures of his time, including , , , , , , , John Dos Passos, , H. L. Mencken, John Reed, , , Edna St. Vincent Millay, , E. W. Scripps, George Bernard Shaw, , , , and H. G. Wells. Eastman's last memoir was Love and Revolution: My Journey Through an (1964). In 1969, he died at his summer home in Bridgetown, Barbados at the age of 86.


Selected works
  • Enjoyment of Poetry, 1913. [7]
  • Child of the Amazons, and other Poems, 1913. [8]
  • Journalism Versus Art, 1916.[9]
  • Conscription for what? (The Masses, July 1917 Max Eastman challenges conscription, In Instead of violence. Boston; Beacon Press (Arthur and Lila Weinberg Eds.), 1963, pp. 244–246.)
  • Colors of life; poems and songs and sonnets, 1918. [10]
  • The Sense of Humor, 1921. [11]
  • Leon Trotsky: The Portrait of a Youth, 1925
  • Since Lenin Died, 1925. [12]
  • Venture 1927
  • Marx and Lenin: The Science of Revolution, 1927.
  • The End of Socialism in Russia, 1928.
  • The Literary Mind: Its Place in an Age of Science, 1931.
  • Artists in Uniform: a Study of Literature and Bureaucratism, 1934.
  • Art and the Life of Action, 1934.
  • The Last Stand of Dialectic Materialism : A Study of Sidney Hook's Marxism. New York: Polemic Publishers, 1934.
  • Enjoyment of Laughter, 1936.
  • Stalin's Russia and the Crisis in Socialism, 1939.
  • Marxism: Is It a Science?, 1940.
  • Heroes I Have Known, 1942.
  • Enjoyment of Living, 1948.
  • Reflections on the Failure of Socialism, 1955. [13]
  • Love and Revolution: My Journey Through an Epoch, 1964.
  • Seven Kinds of Goodness, 1967


Representation in other media
  • Eastman narrated the documentary film Tsar to Lenin (1937).
  • At the arrangement of Eastman, the American magazine Reader's Digest published an abridged version of 's "The Road to Serfdom", enabling the book and Hayek's ideas to reach a wide non-academic audience (1945).
  • portrayed Eastman in the film Reds (1981), directed by and starring , which was based on the life of John Reed. John Patrick Diggins, Eastman's biographer, said that it was ironic that Herrmann was cast as Eastman, who was an extremely handsome man while the good-looking Beatty portrayed Reed, who had a bookish appearance.For more on Eastman, , "Exorcising Hegel: Max Eastman," and "Capitalism and Freedom: Eastman," in Up From Communism, pp. 17–73, 201–233.
  • He was portrayed by actor in the 2012 TV movie Hemingway & Gellhorn, directed by Philip Kaufman.
  • He is mentioned in 's memoir, The Years With Ross (1959). Thurber quotes as saying of Eastman's The Enjoyment of Laughter: "It seems to me Eastman has got American humor down and broken its arm".
  • He appears in Thomas Hart Benton's 1930 mural " America Today", sitting on a subway ogling the burlesque actress Peggy Reynolds.


Personal life
After moving to New York City, Eastman married in 1911, a lawyer, actress, writer, fellow radical and early feminist. Rauh kept her last name. They divorced in 1922, some years after being separated. Together they had one child, Dan, with whom Eastman had no connection for 23 years after their separation.
(2026). 9780805048476, Metropolitan Books: Henry Holt and Company. .
Eastman credited Rauh with introducing him to socialism.

In 1924, he married the painter , a native of Moscow, whom he had met during his nearly two-year stay in the . Elena was sister to , a who later became the Soviet of Justice. He organized many of 's infamous "show trials" of the 1930s, before being arrested and executed himself during the in 1938. Elena had been working for in the Ministry of Foreign Affairs, although she was not a member of the party herself. In 1924, Elena decided to leave Russia with Eastman. Litvinov agreed to help by passing her off as a member of his delegation when he traveled to London for an international conference. But she could not leave the delegation and remain in a free country without a passport, which the Bolsheviks would not give her. So, in the hours before their train left, she and Max Eastman married.Richard Kennedy, Dreams in the Mirror: A Biography of E. E. Cummings, New York, W. W. Norton and Co., 1980, (2nd, 1994 edition), p. 382. Elena died in 1956.

In 1958, Eastman married Yvette Szkely, who was born in in 1912. She emigrated to New York with her divorced stepmother. She had a long-term relationship with before her marriage to Eastman. In 1995, she published a memoir, Dearest Wilding. She died in New York in 2014 at the age of 101. Meras, "Yvette Eastman, 101, Photographer, Longtime Aquinnah Summer Resident," Vinyard Gazette (Jan. 24, 2014) . Retrieved May 14, 2014

Throughout his life, Eastman had many affairs, which "as he aged, came to seem sad and compulsive".


Further reading
  • Richard Fitzgerald, Art and Politics: Cartoonists of the "Masses" and "Liberator". Westport, CT: Greenwood Press, 1973.
  • Christoph Irmscher, Max Eastman: A Life. New Haven, CT: Yale University Press, 2017.
  • William L. O'Neill, Echoes of Revolt: The Masses, 1911–1917. Chicago: Quadrangle Books, 1966.
  • Anne Cipriano Venzon, United States in the First World War: An Encyclopedia. Taylor & Francis, 1995.


External links

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